贝特朗·波尼洛取名于海明威名著的新片《流动的盛宴》（Paris est une fête）正在巴黎新桥一端废弃十年之久的商场Samaritaine内部取景拍摄，电影讲述了一群年轻的反抗分子白天在巴黎各大标志性地点放置炸弹，夜晚躲藏于百货商场寻求庇护的故事，导演把自己的这第七部长片形容成是“静止的西部片”。
I don't think I'm supposed to like this. I dig films rich in themes and ideology yet this deliberately avoids this; and by avoidance it showcases the ideological desert in this postmodern time, a capitalist realism where violent actions are carried out by youths well versed in composing formulaic political essays posed as radical but actually co-oped by institutional hegemony. There is no real revolution except being crushed as state enemy in cold blood. But that's not new. The film doesn't have anything new to say. Yet I thoroughly enjoy the slick look, meticulous choreography, composition and motif, a pacing like a suspense genre film. It's also just consumerism really.
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